Author Archives: celadon

ProTools LE (6.9.2)

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“ProTools” is virtually synonymous with Digital Multi-tracking, and both the TDM (hardware-based, pro versions) and LE versions are very common, but I have found ProTools LE to fall far short of its reputation.

ProTools LE is a full-featured DAW (Digital Audio Workstation), capable of multi-track recording and mixing, MIDI sequencing, automation, and the like. It is certainly a very capable program and has many satisfied users. However, after years of struggle with PTLE, I have finally given up – I did not even bother to install it on my most recent computer. While pro-level TDM versions may be the “industry standard,” I have found that PTLE does not measure up – the interface is much more difficult to use compared to other DAWs, and I experienced constant crashes, hangs, and other stability issues with several versions of PTLE on multiple computers.

Since I have only used ProTools LE on the Mac platform, I cannot speak to either ProTools on PCs or TDM systems. Maybe others with experience with PTLE on Windows can chime in (I don’t think anyone considering a TDM system would be reading this review…). This review is also based on older versions (5.x – 6.92) since I just couldn’t bring myself to spend yet more money on new versions and find out what NEW bugs I would be trading my old bugs for…

Here’s the run-down in a nutshell:

the ProTools LE user interface (v 6.9.2)

Pros:

  • very common DAW
  • like the software used by the “big boys” (TDM ProTools)
  • cheap ($300 for an audio interface, DAW, and bundled software)

Cons:

  • Tied to Digidesign hardware – less choice in audio interface
  • Only compatible with RTAS plug-in instruments & effects
  • UI not as smooth or productive as other DAWs
  • Ongoing problems with OS incompatibilities & crashes

Since Digidesign creates hybrid hardware/software systems, ProTools LE only runs if you have one of their audio interfaces (e.g. mbox) attached to your computer. This is very limiting if you want to use a different interface – either you’re SOL, or you need to attach both, in which case the mbox is a very expensive and inconvenient dongle. This becomes a very significant limitation if you’ve outgrown the cheap interface you originally bought with PTLE and want to move up to something other than the next Digidesign model.

In addition, ProTools LE will only host plug-ins (e.g. instruments or effects) that support the RTAS interface, which is Digidesign’s proprietary format. Unlike VST and AU formats, there is less selection among RTAS software. Many excellent high-end effects are available, but they are for the most part quite expensive. There are almost no free RTAS plug-ins and few lower-cost (e.g. less than a couple hundred dollars), which makes it hard to expand your system if you are on a budget. At the time I bought my copy of ProTools, it did come bundled with cut-down versions of Live and Reason, but only had a few built-in and bundled effects, and the built-in effect plug-ins were unremarkable, to say the least. It looks like the list of bundled effects has grown, which is great, but most of the older effects are still on the list and I would rate them as “adequate.”

Digidesign is touting great improvements to ProTool’s user interface, and I hope that’s true, because the versions I have used left quite a bit to be desired. In particular, the MIDI programming interface was so painful that I rarely used it (a tiny black& white grid with very little flexibility). The basic DAW functions (setting up tracks, recording, mixing, automating) can be accomplished pretty easily, but I did not find it a pleasure to use, as I have with other programs.

 

just another of ProTools LE 6.9.2's fine features

Every version of ProTools LE I tried had major problems with system incompatibilities and/or crashes. Each version had different bugs, but the ongoing parade of problems got old very quickly. These problems persisted through two major version upgrades and numerous smaller updates, and were present on at least two or three different Mac computers using different (Digidesign-approved) Mac OS versions. The last version I used (6.9.2) would cause a kernal panic (the “gray screen of death”) so often when quitting that I ALWAYS closed my project before quitting so the crash would not corrupt my project files.

 

 

Sound: 7

Certainly a decent workhorse program, it will get the job done but the bundled effects (in the version I had) were not that good.

Features: 9

ProTools is a full-featured DAW, with plenty of power. It does have some limitations – for example, you can only bounce tracks in real-time, which sounds minor until you have someone in a hurry to get out the door and you’re waiting for the bounce to finish so you can burn them a copy…

Versatility: 8

Limited selection of plug-ins, hardware restrictions

Simplicity: 7

The UI is not as streamlined or fun as I would like

Playability: n/a

Not designed for performance

Reliability: 5

Works, but plagued with serious bugs

Control: 10

Supports ample MIDI and hardware control options.

 

(Based on ProTools LE 5.x – 6.9.2 on various Mac OS versions, with original MBox and G4 PowerBook)

Bias PEAK LE

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I have only one thing to say about Bias Peak LE: don’t even consider it!

You’re paying good money for a crippled demo of Peak Pro. It is such a bait-and-switch that it seems very underhanded. Most of the features from the Pro version are disabled, but the nice folks at Bias left them all in the menus (grayed-out) so you could see exactly what you’re missing. As an extra bonus, the manual also includes full coverage of all the program’s features, helpfully sprinkled with “PRO only” throughout.

To add injury to insult, the interface is very awkward and time-consuming to use. For instance, Peak offers a handy visual interface for configuring fades and other transitions between tracks… which is PRO-only. This leaves a tortuous list-based interface which requires you to enter your fade lengths manually, and subtract them from the start time of the next track (or something like that – I only bothered setting up one disc in Peak before finding other tools).

The PEAK LE user interface

Do yourself a favor and pass it by… there are plenty of much better options

 

OK, you get my point. Anyways, Peak LE is touted as a full-featured audio editing suite, for anything from recording & processing audio from vinyl or cassettes to mastering & burning a “Red-Book” CD pre-master.

Peak LE provides support for VST and AU plug-ins, which is great. However, the LE version allows you to use ONE plug-in on your audio at a time, and the program comes bundled with ONE plug-in: Bias Freq-2, a 2-band parametric EQ. Wow! There’s a selling point. It also has a variety of basic DSP effects that you can apply to your audio, including normalization, EQ, fade in/out, and reverse. Most of the interesting effects are (you guessed it) PRO-only. It also does not provide any audio analytic tools, which are essential in a serious audio editing suite.

Do yourself a favor and pass it by… there are plenty of much better options (including a number of freeware/shareware editors).

Sound: 7

Feature: 3

Versatility: 5

Simplicity: 3

Playability: N/A

Reliability: 7

Control: N/A

 

20090920 EVENT: Pillow Full of Drone 7 (Seattle)

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Pillow Drone 7 flyer

Pillow Full of Drone 7

Sun. Sept 20, 2009

a night of eletronic music with:

Logic Probe

celadon

Vance Galloway

Visionary Dance

4128 Fremont Ave N (Seattle)

8 pm – $5 – 15

20090912 EVENT: El Asalto (butoh dance), Seattle

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El Asalto flyer

 

El Asalto (the Assault) – a new butoh dance performance by Dance Perdue

Saturday, Sept. 12, 2009

Good Shepherd Chapel, 4649 Sunnyside Ave N in Seattle

8 p.m. – $5-15

based on the novel by Reinaldo Arenas

20090812 EVENT: THREAT @Mercury, Seattle

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THREAT

THREAT August 12, 2009 – 9 p.m.

noisepoetnobody

celadon & Sataray

guest DJs Misanthropologist & EBOSA

Mercury, 1009 E Union St, Seattle

$5, 21 & over