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	<title>DarkSonus &#187; Articles</title>
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		<title>Monitors vs Hi-Fi speakers, the answer.</title>
		<link>http://darksonus.com/2009/06/06/monitors-vs-hi-fi-speakers-the-answer/</link>
		<comments>http://darksonus.com/2009/06/06/monitors-vs-hi-fi-speakers-the-answer/#comments</comments>
		<pubDate>Sat, 06 Jun 2009 06:51:05 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Recording]]></category>
		<category><![CDATA[Reviews - Software]]></category>
		<category><![CDATA[hi-fi]]></category>
		<category><![CDATA[mixing]]></category>
		<category><![CDATA[monitors]]></category>
		<category><![CDATA[speakers]]></category>

		<guid isPermaLink="false">http://darksonus.com/?p=549</guid>
		<description><![CDATA[Google hi-fi speakers vs monitors. Go ahead, do it. I got 1,050,000 results. You&#8217;re here for the real answer aren&#8217;t you? I have the definitive answer below. It&#8217;s true. Don&#8217;t read the manufacturers BS. Don&#8217;t read the 1 million web pages, because 99% are all going to tell you a different answer than I am [...]]]></description>
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		<slash:comments>3</slash:comments>
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		<title>GIGGING BANDS: The New York Experience</title>
		<link>http://darksonus.com/2009/05/27/gigging-bands-the-new-york-experience/</link>
		<comments>http://darksonus.com/2009/05/27/gigging-bands-the-new-york-experience/#comments</comments>
		<pubDate>Wed, 27 May 2009 22:36:35 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Opinion]]></category>
		<category><![CDATA[gigging]]></category>
		<category><![CDATA[gigs]]></category>
		<category><![CDATA[how to]]></category>
		<category><![CDATA[live shows]]></category>
		<category><![CDATA[new york city]]></category>
		<category><![CDATA[nyc]]></category>
		<category><![CDATA[performing]]></category>

		<guid isPermaLink="false">http://darksonus.com/?p=483</guid>
		<description><![CDATA[So you&#8217;re in a band and you think you&#8217;re ready for NYC? GIGGING BANDS: The New York Experience So you&#8217;re in a band and you think you&#8217;re ready for NYC? Here&#8217;s what you can expect&#8230; According to Martin&#8217;s Atkin&#8217;s new book, &#8220;TOUR:SMART&#8221; there are anywhere from 741 to 1235 bands playing in New York City [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Improving Your Industrial Vocals</title>
		<link>http://darksonus.com/2009/05/15/improving-your-industrial-vocals/</link>
		<comments>http://darksonus.com/2009/05/15/improving-your-industrial-vocals/#comments</comments>
		<pubDate>Fri, 15 May 2009 21:07:15 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Opinion]]></category>
		<category><![CDATA[Recording]]></category>
		<category><![CDATA[compression]]></category>
		<category><![CDATA[distortion]]></category>
		<category><![CDATA[singing]]></category>
		<category><![CDATA[vocals]]></category>
		<category><![CDATA[vox]]></category>

		<guid isPermaLink="false">http://darksonus.com/?p=182</guid>
		<description><![CDATA[Getting sick of the cliche distortion mush voice in industrial music? Find out new ways to improve your recorded vocals and still keep them aggressive. I don&#8217;t know about you but I&#8217;m getting a little tired of endless numbers of industrial artists running their vocals through distortion in order to sound &#8220;aggressive.&#8221; Not only is [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Mixing: Introduction to Mixing</title>
		<link>http://darksonus.com/2009/05/15/introduction-to-mixing/</link>
		<comments>http://darksonus.com/2009/05/15/introduction-to-mixing/#comments</comments>
		<pubDate>Fri, 15 May 2009 20:42:59 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Recording]]></category>
		<category><![CDATA[Articles - Recording]]></category>
		<category><![CDATA[mix]]></category>
		<category><![CDATA[mixing]]></category>

		<guid isPermaLink="false">http://darksonus.com/?p=167</guid>
		<description><![CDATA[Mixing seems to be one of the least understood of studio tricks. Technine sheds some light on the subject by sharing his own method of stereo mixing as well as a few simple rules to follow for achieving a tight mix. Generally I&#8217;ve noticed that few people have mastered the art of mixing. Mixing is [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>TEN WAYS TO IMPROVE YOUR HOME RECORDINGS</title>
		<link>http://darksonus.com/2009/05/15/ten-ways-to-improve-your-home-recordings/</link>
		<comments>http://darksonus.com/2009/05/15/ten-ways-to-improve-your-home-recordings/#comments</comments>
		<pubDate>Fri, 15 May 2009 19:12:51 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Recording]]></category>
		<category><![CDATA[Articles - Recording]]></category>
		<category><![CDATA[budget]]></category>
		<category><![CDATA[compression]]></category>
		<category><![CDATA[computers]]></category>
		<category><![CDATA[dsp]]></category>
		<category><![CDATA[monitors]]></category>

		<guid isPermaLink="false">http://darksonus.com/?p=156</guid>
		<description><![CDATA[Don&#8217;t think that you need everything under the sun to make a great recording&#8230; TEN WAYS TO IMPROVE YOUR HOME RECORDINGS. 1.) Quality over quantity: Focus on buying the BEST gear for your budget that allows you to work in the way that you want to work. Don&#8217;t think that you need everything under the [...]]]></description>
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		<title>Budget Industrial Synths</title>
		<link>http://darksonus.com/2009/05/15/budget-industrial-synths/</link>
		<comments>http://darksonus.com/2009/05/15/budget-industrial-synths/#comments</comments>
		<pubDate>Fri, 15 May 2009 17:54:45 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Opinion]]></category>
		<category><![CDATA[Synthesis]]></category>
		<category><![CDATA[artists]]></category>
		<category><![CDATA[band]]></category>
		<category><![CDATA[Bands]]></category>
		<category><![CDATA[budget]]></category>
		<category><![CDATA[ensoniq]]></category>
		<category><![CDATA[esq-1]]></category>
		<category><![CDATA[industrial]]></category>
		<category><![CDATA[korg]]></category>
		<category><![CDATA[polysix]]></category>
		<category><![CDATA[pro-one]]></category>
		<category><![CDATA[programming]]></category>
		<category><![CDATA[sequential circuits]]></category>

		<guid isPermaLink="false">http://darksonus.com/?p=147</guid>
		<description><![CDATA[The industrial genre has always thrived on an innovative&#8221;do it yourself attitude&#8221; and using inexpensive synthesizers is one way for a rivethead on a budget to still make music without going broke. Let&#8217;s face it-most industrial musicians aren&#8217;t rich. In fact, some of us are downright poor. However we are also very lucky, because-unlike many [...]]]></description>
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		<title>How to Program Analog Bass, Part 2</title>
		<link>http://darksonus.com/2009/05/15/how-to-program-analog-bass-part-2/</link>
		<comments>http://darksonus.com/2009/05/15/how-to-program-analog-bass-part-2/#comments</comments>
		<pubDate>Fri, 15 May 2009 16:48:58 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Synthesis]]></category>
		<category><![CDATA[analog]]></category>
		<category><![CDATA[bass]]></category>
		<category><![CDATA[korg]]></category>
		<category><![CDATA[mono/poly]]></category>
		<category><![CDATA[moog]]></category>
		<category><![CDATA[programming]]></category>
		<category><![CDATA[prophet 5]]></category>
		<category><![CDATA[studio electronics]]></category>
		<category><![CDATA[synthesizers]]></category>

		<guid isPermaLink="false">http://darksonus.com/?p=136</guid>
		<description><![CDATA[This is the second installment of a series of articles detailing how to program tight, effective analog bass lines and some of the best synths for achieving good bass sounds. One of the well known &#8220;secrets&#8221; of getting a good bass tone is to use a synth that is optimized for creating bass sounds. Even [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How to Program Analog Bass, Part 1</title>
		<link>http://darksonus.com/2009/05/15/how-to-program-analog-bass-part-1/</link>
		<comments>http://darksonus.com/2009/05/15/how-to-program-analog-bass-part-1/#comments</comments>
		<pubDate>Fri, 15 May 2009 16:36:04 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Synthesis]]></category>
		<category><![CDATA[analog]]></category>
		<category><![CDATA[Articles - Synthesis]]></category>
		<category><![CDATA[bass]]></category>
		<category><![CDATA[juno 60. oberheim]]></category>
		<category><![CDATA[minimoog]]></category>
		<category><![CDATA[moog]]></category>
		<category><![CDATA[obxa]]></category>
		<category><![CDATA[programming]]></category>
		<category><![CDATA[roland]]></category>
		<category><![CDATA[synthesisers]]></category>

		<guid isPermaLink="false">http://darksonus.com/?p=132</guid>
		<description><![CDATA[This is the first installment of a series of articles detailing how to program tight, effective analog bass lines and some of the best synths for achieving good bass sounds. The art of programming good bass sounds is a tricky one that seems to elude even skilled analog programmers. Maybe worse, many of us are [...]]]></description>
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		<slash:comments>0</slash:comments>
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		<title>Budget Bass Synths</title>
		<link>http://darksonus.com/2009/05/15/budget-bass-synths/</link>
		<comments>http://darksonus.com/2009/05/15/budget-bass-synths/#comments</comments>
		<pubDate>Fri, 15 May 2009 16:27:06 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Opinion]]></category>
		<category><![CDATA[Synthesis]]></category>
		<category><![CDATA[bass]]></category>
		<category><![CDATA[budget]]></category>
		<category><![CDATA[clavia]]></category>
		<category><![CDATA[microwave]]></category>
		<category><![CDATA[modular]]></category>
		<category><![CDATA[nord]]></category>
		<category><![CDATA[novation]]></category>
		<category><![CDATA[pule]]></category>
		<category><![CDATA[studio electronics]]></category>
		<category><![CDATA[waldorf]]></category>

		<guid isPermaLink="false">http://darksonus.com/?p=118</guid>
		<description><![CDATA[One of the recent driving factors of synthesizer prices seems to be the ability of a synth to pump out solid bass tones. But what if you are on a limited budget? A truism in today&#8217;s synth market is: if you want a rich bass sound you are going to pay for it. But what [...]]]></description>
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		<slash:comments>0</slash:comments>
		</item>
		<item>
		<title>How to be a Synth Newbie (Part 2)</title>
		<link>http://darksonus.com/2009/05/13/how-to-be-a-synth-newbie-part-2/</link>
		<comments>http://darksonus.com/2009/05/13/how-to-be-a-synth-newbie-part-2/#comments</comments>
		<pubDate>Thu, 14 May 2009 01:06:38 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Articles]]></category>
		<category><![CDATA[Synthesis]]></category>
		<category><![CDATA[battery]]></category>
		<category><![CDATA[computers]]></category>
		<category><![CDATA[electronic]]></category>
		<category><![CDATA[native instruments]]></category>
		<category><![CDATA[newbie]]></category>
		<category><![CDATA[pentagon]]></category>
		<category><![CDATA[plug ins]]></category>
		<category><![CDATA[rebirth]]></category>
		<category><![CDATA[rgc]]></category>
		<category><![CDATA[synthesizers]]></category>
		<category><![CDATA[vst]]></category>

		<guid isPermaLink="false">http://darksonus.com/wordpress/?p=72</guid>
		<description><![CDATA[This is the second installment in a series for overcoming the newbie blues for setting up a home recording studio. In this article we will expand on prioritizing your studio and getting the most bang for your buck. In the previous article I advised the new player to first buy a computer and the associated [...]]]></description>
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